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Tuesday, May 14, 2019

Decorative Arts of Saudi Cultural Heritage Research Proposal

Decorative Arts of Saudi ethnic Heritage - Research Proposal ExampleThe need for effectiveness in planning, space utilization as well as functional architectural intent promoted the advancements of internal design. For instance, Majilis paintings have re largessed an aspect of indoor design practiced by Saudi people from Asir province. The decorative arts embraced by inner(a) designers of two residential and commercial specialties reveal the connection between the historic nomadic life and the art of interior design practiced by Saudi Arabians. There are two outstanding significances of the art of interior design among the people of Saudi Arabia and especially the Majilis of Asir province. As mentioned in the first place, art was a very effective route of expressing a communitys lifestyle. The Majlis who were nomads expressed their way of living through the art of interior design and presented a great way to connect among themselves and give them an identity. The second sign ificance of art among the Majilis of Asir province is that it was a great way of passing on their culture and traditions from one generation to another. All through the earlier centuries, the Majilis had built a heritage that incorporated their customs and values that united them together as a people. Each province in historic Saudi Arabia had its own form of art that was highly distinct from that of a different province. Basing on the quality of the paintings and interior design, one could tell how wealthy a family or a community was. It was a great way of giving identity to a community. In the present days, traditional art is at a risk of fading away as it lacks acceptance and much-needed understanding among the present day and contemporary artist. This is especially so in the art of interior design. The art of interior design is a practice that dates back to the early historical period and has been carried forward by artists to the juvenile historic period.

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